Despite its Name, Maya Da-Rin’s 'A Febre' ('The Fever') Wards Off Pathologising
In Maya Da-Rin’s first narrative feature film, A Febre (The Fever), Justino sits with his grandson Josué in the kitchen…
A journal of films and feminisms
In Maya Da-Rin’s first narrative feature film, A Febre (The Fever), Justino sits with his grandson Josué in the kitchen…
Stanya Kahn’s latest short film ‘No Go Backs’ (2020) opens with two teenage boys pissing into the grassy scrub with…
In 1981, in Boston, Massachusetts, Anne Charlotte Robertson bought five rolls of Super 8 film with which to record her…
Anne Charlotte Robertson started keeping a diary when she was 11 and never stopped. By the time the artist died…
“I see what you mean about the pageantry,” remarks Dani (Florence Pugh) in Ari Aster’s Midsommar (2019) as she scrolls…
A conversation between Everlane Moraes, Janaína Oliveira, Kênia Freitas, and Tatiana Carvalho Costa. Translated by Lillian Maguire and Natalia Davies.
One of the pleasures of Kelly Reichardt’s narrative films is that their plots (where they exist) never feel artificial: the…
“My characters rarely find themselves where they want to be in the world: there is always somewhere to escape from,…
"Another problem for me now is the welling up of the “Wet,” the insistent preoccupation with narrating certain aspects of…
Describing the motivation behind his feature The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not…
This essay was originally published in Another Gaze 04 (March 2020)
Another Gaze is seeking submissions for its fifth print issue, to be published this autumn.
A common narrative about social media goes like this: something something anxiety and deep insecurity; it’s hard to see an…
Barbara Hammer’s 'Double Strength' (1976) opens with a sequence of sepia photographs featuring Hammer and her then-partner, Terry Sendgraff, a…
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“That’s all I need: an ordered life” —Edith 'Little Edie' Bouvier Beale, Grey Gardens