Reviews
Jordan River Anderson, The Messenger: A Canadian Wake-Up Call —TIFF
Dominga Sotomayor’s Unstable Utopias: ‘Too Late To Die Young’ (‘Tarde para morir joven’)
A Magnificent Filial Debt: Love and Family in Lulu Wang’s ‘The Farewell’
Fantasy Without Catharsis: María Paz González’s ‘Lina From Lima’ —TIFF
Fate and the State: Sophie Deraspe’s ‘Antigone’ —TIFF
News
Essays
Thinking Through Camille Billops (1933-2019)
Lorene Scafaria’s ‘Hustlers’ and the Anatomy of the Scam
The Queer Subjectivity of Charlotte Prodger’s ‘BRIDGIT’
Selling Sweat: On the Ethics of Renting ‘Extraordinary Bodies’ in Mika Rottenberg’s Videos
‘You Don’t Know What You Want, Do You?’ The Life And Work of Jane Arden
The (Not So) Queer Failure of Chanya Button’s ‘Vita and Virginia’
In Conversation With
In Conversation With Isabella Eklöf
The Woman Everyone Knows: In Conversation With Aminatou Echard
The Visible Woman: In Conversation with Penny Slinger
“Deconstruct, reconstruct, challenge, celebrate”: In Conversation With Barbara Hammer
In Conversation With Teona Strugar Mitevska
In Conversation With Penny Lane
In Conversation With Carolee Schneemann
In Conversation with Mania Akbari
