Describing the World Otherwise: Anne Charlotte Robertson's 'Five Year Diary'
Anne Charlotte Robertson started keeping a diary when she was 11 and never stopped. By the time the artist died…
Another Gaze↑
A journal of films and feminisms
Pretty Little Cults
“I see what you mean about the pageantry,” remarks Dani (Florence Pugh) in Ari Aster’s Midsommar (2019) as she scrolls…
Towards a Quilombo Cinema: An Afro-Brazilian Feminist Roundtable
A conversation between Everlane Moraes, Janaína Oliveira, Kênia Freitas, and Tatiana Carvalho Costa. Translated by Lillian Maguire and Natalia Davies.
The Luxury of Savouring in Kelly Reichardt’s 'First Cow'
One of the pleasures of Kelly Reichardt’s narrative films is that their plots (where they exist) never feel artificial: the…
A Language of Traces: The short films of Mati Diop
“My characters rarely find themselves where they want to be in the world: there is always somewhere to escape from,…
Another Gaze x Fitzcarraldo: Moyra Davey's 'Index Cards' Launch + Screening
"Another problem for me now is the welling up of the “Wet,” the insistent preoccupation with narrating certain aspects of…
Dreamscapes and Ethnospheres: Ben Rivers and Anocha Suwichakornpong’s 'KRABI, 2562' (2019)
Describing the motivation behind his feature The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not…
Strike on Film: Madeline Anderson’s ‘I Am Somebody’ (1970)
This essay was originally published in Another Gaze 04 (March 2020)
Call for Pitches | Another Gaze 05: The Old World May Be Dead
Another Gaze is seeking submissions for its fifth print issue, to be published this autumn.
Mr Zuckerberg, Tear Down My Wall
A common narrative about social media goes like this: something something anxiety and deep insecurity; it’s hard to see an…
Locating the Lesbian Hand in Barbara Hammer's Early Works
Barbara Hammer’s 'Double Strength' (1976) opens with a sequence of sepia photographs featuring Hammer and her then-partner, Terry Sendgraff, a…
Another Gaze presents: The Legacies of Sarah Maldoror (1929–2020) —12 May 2020
Sign up to the eventbrite for updates and Zoom link here.
Those Who Keep and Those Who Throw Away: On Hoarding in 'Grey Gardens', 'The Gleaners and I' and 'Tidying Up With Marie Kondo'
“That’s all I need: an ordered life” —Edith 'Little Edie' Bouvier Beale, Grey Gardens
Towards a Diffractive Cinema: The Video Works of Amanda Melissa Baggs (1980–2020)
Amanda Melissa Baggs, also known as Mel Baggs, died on 11 April 2020. This essay was originally published in print…
Cinema, Carcerality and Covid-19: On Watching Brett Story’s 'The Prison In Twelve Landscapes' (2016)
How do you represent the prison system cinematically? A certain syntax of images springs to mind: a concrete wall, coils…
As a Woman in America, Always: Eliza Hittman’s 'Never Rarely Sometimes Always'
Autumn, the 17-year-old protagonist of Eliza Hittman’s sophomore film Never Rarely Sometimes Always (2020), first stands out because of her…