Portrait of Teona Strugar Mitevska
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A journal of films and feminisms
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“How is it that some people decide the fate of others?” asks Rosa Luxemburg in the opening of Margarethe von…
In 2018, feminism is everywhere and nowhere at once. Women, we are told, can now be CEOs, and entrepreneurs and…
The poster for An Impossible Love shows a man with his back turned, eyes averted, hands in pockets. He’s facing…
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The first plane in Alfonso Cuarón’s Roma sails across a snatch of sky mirrored in soapy water; the next, in…
There’s something within you. If you truly desire something with your mind and body,there’s something within you that can make…
Is it possible to tell when a television programme has been masterminded by a woman? And if so, what is…
In ‘Walking with Nandita’, an essay for documenta 14composedof photographs and fragments of text, Canadian artist Moyra Davey traces the…
Feminist film journal Another Gaze is seeking submissions for its third print issue, to be released this May.
In 2003 I saw a film that absolutely knocked me out with its incomparable visual beauty, its exploration of traumatic…
While Luca Guadagnino’s Call Me by Your Name (2017) received general acclaim last year, one particular critique cut through the…
Disobedience, Sebastian Lelio’s adaptation of Naomi Alderman’s novel of the same name, follows the story of Ronit, a lapsed Orthodox…
To be intimate and vulnerable with another involves being honest with oneself, or so the saying goes. This task is…
Near the end of Emily Atef’s Three Days in Quiberon (2018), a cinematic snapshot of the life of Romy Schneider,…
If a sign is a premonition, it points to a future; if it’s a clue, a past. But sometimes a…