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Reviews

Watching Bo Burnham’s ‘Eighth Grade’ with my teenage sister

by Imogen West-Knights

“It’s like I’m waiting in line for like a rollercoaster,” says 14-year-old Kayla to the very small, potentially even non-existent…

Reviews

On ‘Killing Eve’

by Imogen West-Knights

Is it possible to tell when a television programme has been masterminded by a woman? And if so, what is…

Festivals, Reviews

Berlinale – Nana Ekvtimishvili and Simon Groß’s ‘My Happy Family’

by Imogen West-Knights

A 52-year-old woman decides to move out of her family home and take an apartment alone. She has no apparent…

Reviews

A Shamefully Cack-Handed Depiction of Violence Against Women and Ethnic Minorities: On ‘Three Billboards Outside Ebbing, Missouri’

by Imogen West-Knights

TW: Rape, racial violence, police brutality In Martin McDonagh’s 2012 film Seven Psychopaths, “Marty”, a screenwriter and a thinly veiled…

Reviews

Review: ‘Beach Rats’

by Imogen West-Knights

In her first feature, It Felt Like Love (2013), Eliza Hittman explored a young Brooklyn girl’s troubled life as she…

Reviews

Review: ‘Okja’

by Imogen West-Knights

Much like Okja the genetically modified pig, Okja the film had a controversial and ground-breaking genesis. It is one of…

Reviews

Review: ‘Wonder Woman’

by Imogen West-Knights

Wonder Woman has carried a particularly heavy weight of expectation on her shoulders right from the announcement of the film….

Reviews

Review: ‘American Honey’

by Imogen West-Knights

The road movie, particularly the American road movie, is a genre with a long and rich heritage. Its protagonists are…

Another Gaze is a feminist film journal, founded in January 2016 to provide nuanced criticism about women and queers as filmmakers, protagonists and spectators.

Our fourth issue is out now and available to buy here.

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