Another Gaze issues 01 – 04 are now available to purchase. You can buy and subscribe online here

If you are an institution or wish to subscribe, please email info@anothergaze.com. If you are a shop and wish to stock us, please contact our distributors: Central Books or Motto.

We are available in the following shops:

London: BFI Southbank, ICA Bookshop, Foyle’s Charing Cross, The Photographers’ Gallery, Tender Books, South London Gallery, Charlotte Street News, Housman’s Radical Bookshop, John Sandoe, Good News, MagCulture, Pages Cheshire St, Whitechapel Gallery

UK: Good Press (Glasgow), Plymouth Arts Centre, Magalleria (Bath), Village Books (Leeds), La Biblioteka (Sheffield), Magma (Manchester), Five Leaves (Nottingham), Magazine Brighton, Newsstand (Whitstable), News From Nowhere (Liverpool), Rare Mags (Stockport), Golden Hare Books (Edinburgh), Here (Bristol), Magazine Heaven (Rushden)

Europe: Library Project (Dublin), Boekhandel v/h Van Gennep (Rotterdam),La Dispersion (Geneva), Athenaeum Boekhandel (Amsterdam), Mr Page (Riga), Curious Fox (Berlin), Do You Read Me?! (Berlin), Zabriskie (Berlin), Papercut (Stockholm), Edicola 518 (Perugia), Numax (Santiago de Compostela), Chandal (Barcelona), Manifesto (Porto), Palais de Tokyo (Paris), MK2 Bibliothèque (Paris), Shakespeare and Co (Paris), Gucci Garden (Florence), Reading Room (Milan), IMS (Antwerp), Libreria Verso (Milan), Rile (Brussels), Lorem (Not Ipsum) (Zurich)

USA: Mast Books (NY), Artbook @ Moma PS1 (NY), Commonplace Books (Oklahoma City), Wexner Arts Center (Columbus, OH), Avril 50 (Philadelphia), Ooga Booga (LA), Indent (Portland, OR), Quimby’s (Chicago)

Rest of World: Multi-Arts (Taipei), Papercup (Beirut, Lebanon), Kubrick (Hong Kong)

Issue 04

p9 The Last Good Male Film Critic – Missouri Williams
p12 On Lorenza Mazzetti – Francesca Massarenti

OTHERWISE
p20 “No Legibility for Some, Illegibility for All”: Subtitles, Captions, and the Pursuit of a Comprehensive World – Sasha Kohan
p25 Towards a diffractive cinema: The video works of Amanda Baggs – Julián Gatto
p30 Otherwise Notes on Being Perennially In-Between – Therese Henningsen and Andrea Luka Zimmerman

ANTHROPOCENE
p36 Towards an Embodied Ecocriticism: On Laure Prouvost’s ‘Shed a Light’ (2018) – Adina Glickstein
p39 A Sense of the Sublime: In Conversation with Brett Story – Amanda Barbour
p42 Dreamscapes and Ethnospheres: Ben Rivers and Anocha Suwichakornpong’s KRABI, 2562 (2019) – Phoebe Campion

AGNIESZKA HOLLAND’S SPOOR / OLGA TOKARCZUK
p46 On Agnieszka Holland’s Spoor and the difficulties of translating between worlds – Lauren Collee
p51 How Do You Solve a Problem like Duszejko?: On Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead and Agnieszka Holland’s Spoor – Missouri Williams

p58 Imagined Adaptations – Elissa Suh
p63 Six Men, a Yacht, and an Erection: Troubled Masculinities in Athina Rachel Tsangari’s Chevalier – Ruby Mastrodimos
p68 A Critic Between Sontag’s Cannibals – Bessie Rubinstein
p74 Oubliette – Jen Calleja

p78 My Own Lens and Skin: Betzy Bromberg on Personal Filmmaking – Kathryn Siegel
p90 Peyote Queen: Trance, Ritual and the Female Body in the short lms of Storm De Hirsch – Sophia Satchell-Baeza

ZIA ANGER AND ASHLEY CONNOR
p96 The Creative Afterlife: Zia Anger’s My First Film – Rachel Stone
p99 Zia Anger and Ashley Connor in conversation
p106 Ashley Connor and the Cinematography of Teenage Female Identity – Nicole Davis

p112 Maggie Gyllenhaal, The Deuce, & the Rise of Intimacy Coordinators – EC Flamming

REBELLIONS
p116 Cumming Back to Life – The Horrors of Heteronormativity in Bruce LaBruce’s Otto; or, Up with Dead People – Vivien Cahn
p120 Sleepwalking Lessons: Repetition and Insistence in Chantal Akerman and Pina Bausch – Zara Joan Miller
p126 For Magdalena Montezuma – Julia Sirmons
p133 Desirous dreams: the feminist erotics of Rebecca Horn’s Berlin Exercises in Nine Parts (1974-5) – Evelyn Whorrall-Campbell

ANNE CHARLOTTE ROBERTSON
p141 Describing the world otherwise: Anne Charlotte Robertson’s Five Year Diary – Anjo-marí Gouws
p144 A Time-Based Reading of Anne Charlotte Robertson’s Five Year Diary – Kathryn Scanlan

FORMS OF DISCONTENT
p156 Strike on Film: Madeline Anderson’s ‘I Am Somebody’ – Mimi Howard
p166 Mr Zuckerberg, Tear Down My Wall: Karim Amer & Jehane Noujaim’s The Great Hack and Zhu Shengze’s Present.Perfect – Rebecca Liu
p173 Sense-Making From The Ground Up: On The Films of Beatriz Santiago Muñoz – Gazelle Mba
p180 Interview with Director Amandine Gay on her Film Speak Up (Ouvrir la voix) – Cassie da Costa

BRAZILIAN CINEMAS
p187 The Field of Vision: Maya Da-Rin and Camila Freitas – Laura Davis
p191 In Conversation With Maya Da-Rin – Beatrice Loayza
p196 Towards a Quilombo Cinema: A conversation between Everlane Moraes, Janaína Oliveira, Kênia Freitas, and Tatiana Carvalho Costa – Tr. Lillian Maguire and Natalia Davies.

KIRA MURATOVA
p218 Unrequited Passions: Notes on Kira Muratova Muratova – Lizzie Homersham
p222 Queer Bloc: Situations, Generations, Nations – Lina Žigelytė
p228 No Such Thing As Society?: Kira Muratova’s Redemptive Materialism – Georgie Carr

p234 Gong Li’s Rebellious Transformations – Beatrice Loayza

p240 Against Lists – Elena Gorfinkel

ISSUE 03

After Agnès Varda: A Roundtable Discussion – Grace Barber-Plentie, Jenny Chamarette, Lauren Elkin, Sandy Flitterman-Lewis, AS Hamrah, Sheila Heti, Kiva Reardon, Samia Labidi

Agnès Varda’s Brilliant Alchemy – Sandy Flitterman-Lewis

The words and worlds of Carolee Schneemann and Barbara Hammer with two thoughts by Agnès Varda – Alexandra Juhasz

Talking Cinema: Remembering Barbara Hammer (1939–2019) – Gabriella Beckhurst

Locating the Lesbian Hand in Barbara Hammer’s Early Films – Brodie Crellin

In Conversation With Barbara Hammer – Another Gaze

Thinking through Camille Billops (1933–2019) –Terri Francis

 

Projection, Introspection

The Making of a Millennial Woman – Rebecca Liu

“(Gay Panic)”: Why I Love Fan Subtitles – Devan Wells

The Communicative Power of Silence – Minou Norouzi

Femme, butch and in-between : re-seeing myself between the frames – Claire Mead

Glimpses of her: Grieving through cinema David Lee-Astley

In Conversation With Akosua Adoma Owusu – Gazelle Mba

 

OTHER / WORLDLY

Studies in Natural Magic: The video work of Charlotte Pryce – Matt Turner

The Great Digestive Machine: inside the choreography of Loie Fuller and the underwater cinema of Geneviève Hamon and Jean Painlevé – Lauren Collee

No Other Voice: Claire Denis’s High Life – Hannah Paveck

 

PROJECTING POLITICS

A Different Kind of Duration: Lila Avilés’s The Chambermaid – Hannah Paveck

Dominga Sotomayor’s Unstable Utopias: ‘Too Late to Die Young’ – Bessie Rubinstein

In Search of Gloria Camiruaga, A Lesser- Known Pioneer of Chilean Video Art – Eliza Levinson

Who gets to be ‘the people’? Astra Taylor’s What Is Democracy? and Gabrielle Brady’s Island of the Hungry Ghosts – Rebecca Liu

Filming Philosophy: Interview with Astra Taylor – Esmé Hogeveen

Women on the Edge: History, Temporality, Sisterhood and Political Militancy in Marge Piercy’s Vida and Margarethe von Trotta’s Die bleierne Zeit – Hannah Proctor

From avant-garde masterpiece to divisive film remake — On Ingeborg Bachmann’s Malina – Brigette Manion

Crisis-women: Prostitution and Capitalist Modernity in Lina Wertmüller’s Love and Anarchy – Lila Bullen-Smith

It was me, but it was not me”: The Uncertain Feminism of Catherine Breillat – Beatrice Loayza

 

JANE ARDEN AND PENNY SLINGER

“You Don’t Know What You Want, Do You?” The Life and Work of Jane Arden – Joe Passmore

 Into The Shadows and Back Out Again: Penny Slinger’s Violent Seductions – Adina Glickstein

The Visible Woman: In Conversation with Penny Slinger – Sophia Satchell-Baeza

 

The Big Swallow: In Search of Yonic Imagery – Tilde Fredholm

A Portrait of an Unseen Female Grotesque: Carol Morley’s The Alcohol Years (2000) Frances Hatherley

In Conversation With Ericka Beckman; On her Super-8 Trilogy – Jesse Cummings

The queer subjectivity of Charlotte Prodger’s BRIDGIT – Frances Whorrall-Campbell

Desire in Language – Suspended: Ulrike Ottinger’s Madame X and the Female Speaking Subject – Eva Klein

Still Appropriating?: Ulrike Ottinger’s Shifting Archive of Identity – J. Makary

Hito Steyerl’s Grey Zone – Mimi Howard

Red, White, Yellow, and Black: A Multiracial Feminist Video Collective, 1972-73 – Emily Watlington

On Ana’s Archive – Lily Hill Evans

“A known fact masquerading as a secret” – On Another Gaze’s ‘Unvictiming’ programme – Phoebe Chen

The Language of Traces: On Mati Diop – Bessie Rubinstein

Review: ‘Atlantique’ – Rebecca Liu

Review: Lee Chang-Dong’s ‘Burning’ – Phoebe Chen

Burning Rage: Oh Jung-mi and the Female Auteur – Suzanne Enzerink and Claire Gullander-Drolet

Angela Schanelec’s ‘I was at home but…’ / ‘Ich war zuhause, aber…’ – Laura Staab