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Festivals, Reviews

TIFF Review: Alex Ross Perry’s ‘Her Smell’

by Chelsea Phillips-Carr

Alex Ross Perry’s latest feature, Her Smell, focuses on the career of a rock star, Becky (played by Elisabeth Moss),…

Festivals, Reviews

TIFF Review: Margarethe von Trotta’s ‘Searching for Ingmar Bergman’

by Chelsea Phillips-Carr

Searching for Ingmar Bergman opens with acclaimed German director Margarethe von Trotta in Gotland, on the rocky beach from several…

Reviews

Power, performance and personhood: On ‘Phantom Thread’

by Chelsea Phillips-Carr

Contains spoilers: In 1950s London, spoiled fashion designer Reynolds Woodcock (Daniel Day Lewis) lives a privileged, glamorous life. Coddled by…

Reviews

Little More Than A Temper Tantrum: On Ruben Östlund’s ‘The Square

by Chelsea Phillips-Carr

The Square opens on an interview between art curator Christian (Claes Bang) and journalist Anne (Elisabeth Moss). She starts gently…

Reviews

Review: ‘Mary Shelley’

by Chelsea Phillips-Carr

Haifaa al-Mansour’s Mary Shelley suggests that the eponymous writer’s classic novel Frankenstein is the result of the influence of men…

Reviews

Review: ‘Wind River’

by Chelsea Phillips-Carr

TW: rape The idea of making a thriller based around the epidemic of missing and murdered Indigenous women is startling:…

Essays

Cinematic Riots: Feminism and Surrealism in Germaine Dulac’s ‘La Coquille et le Clergyman’

by Chelsea Phillips-Carr

Germaine Dulac’s La Coquille et le Clergyman (The Seashell and the Clergyman) was arguably the first surrealist film ever made. Admired…

Another Gaze is a feminist film journal, founded in January 2016 to provide nuanced criticism about women and queers as filmmakers, protagonists and spectators.

Our fourth issue is out now and available to buy here.

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