Fantasy Without Catharsis: María Paz González’s 'Lina From Lima' —TIFF
María Paz González’s first narrative feature Lina from Lima (2019) is a musical comedy about migrant life in Chile that…
Another Gaze↑
A journal of films and feminisms
Fate and the State: Sophie Deraspe’s 'Antigone' —TIFF
Sophie Deraspe’s film adaptation of Sophocles’ Antigone updates the central themes of the original – family, exile, state power and…
On Elle-Máijá Tailfeathers and Kathleen Hepburn's 'The Body Remembers When the World Broke Open' —TIFF
Elle-Máijá Tailfeathers and Kathleen Hepburn’s The Body Remembers When the World Broke Open follows a day in the life of…
Call For Submissions – Another Gaze 04
Another Gaze is seeking submissions for its fourth print issue, to be released this December.
Finding freedom in Sturla Pilskog and Sidse Torstholm Larsen’s 'Winter’s Yearning' —Open City Docs
It would have been too precious for Winter’s Yearning to have been titled Waiting for Alcoa, yet Beckett’s existential drama…
Selling Sweat: On the Ethics of Renting ‘Extraordinary Bodies’ in Mika Rottenberg’s Videos
Throughout Mika Rottenberg’s career, the artist has – as she puts it – rented the bodies of extraordinary women. By…
Notes on the City: Andrea Luka Zimmerman and Adrian Jackson’s 'Here For Life' —Locarno
In an interview in 1968 Pasolini described going especially from Casarsa to Udine to see Vittorio De Sica’s The Bicycle…
Work With Us! Another Gaze is looking for an editor
As Another Gaze 's tiny team struggles to keep up with editorial demands, we're looking for another editor to assist…
'You Don't Know What You Want, Do You?' The Life And Work of Jane Arden
Jane Arden (a pseudonym possibly drawn from a ‘girl reporter’ comic strip, or a correspondent of Mary Wollstonecraft, or both,…
In The Name of The Mother: Maura Delpero’s ‘Maternal' —Locarno
What is motherhood? Maura Delpero’s Maternal (Hogar, 2019) shows a world in which two paradigms of maternity – the single…
On Mourning and Paralysis: Anna Sofie Hartmann’s ‘Giraffe’ —Locarno
In Anna Sofie Hartmann’s debut feature Giraffe (2019), the underwater tunnel being built to connect Denmark with Germany is bestowed…
A House That Is Not A Home: Yoon Sung-A’s 'Overseas' —Locarno
How can cinema show social reproduction? Yoon Sung-A’s documentary Overseas (2019), focuses on a training centre for overseas domestic workers…
The Persistence of Fairy Tales: Choice and Desire in Sophie Hyde’s ‘Animals’
Andrea Dworkin calls fairy tales, “the first scenarios of women and men which mold our psyches”, teaching fundamental cultural lessons…
Portrait of Isabella Eklöf
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The Woman Everyone Knows: In Conversation With Aminatou Echard
In her most recent film, French filmmaker Aminatou Echard takes up the eponymous heroine of Jamilia, the 1958 novel by…
On Looking but not Seeing: Florian Henckel von Donnersmarck’s 'Never Look Away'
The title of Florian Henckel von Donnersmarck’s Never Look Away (2018) is an imperative: don’t look away from art, evil,…