A journal of films and feminisms
You’re a private eye working late. There’s a glass of scotch on your desk. The air is filled with cigarette…
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When Sally Potter’s first feature film The Gold Diggers opened in London in 1983, the British Film Institute invited her…
A couple of years ago my producer and I were attending film festivals trying to raise money for our next…
The sad news of Jacques Rivette’s death on 29 January 2016 came just a month or so after some of…
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I harbored a tremendous amount of dubiousness for Todd Haynes’ Carol. A lavishly developed adaptation of Patricia Highsmith’s 1952 novel…