Reviews
Reviews
Rebecca Liu on Maria Schrader's She Said
Reviews
Rebecca Liu on Maggie Gyllenhaal's 'The Lost Daughter'
Reviews
Rebecca Liu on Jane Campion's 'The Power of the Dog'
Reviews
"Yes, girls, we love your corpses": Emerald Fennell's 'Promising Young Woman'
Reviews
Layers of Reality: Zheng Lu Xinyuan's 'The Cloud in her Room'
Essays
Cao Fei’s 'Blueprints' finds freedom in fantasy
Essays
Mr Zuckerberg, Tear Down My Wall
Reviews
A Hellish Commons: Bong Joon-ho’s 'Parasite'
Reviews
Elizabeth Banks’s 'Charlie’s Angels' and the death of early millennial camp
Essays
Who gets to be ‘the people’? Astra Taylor’s 'What Is Democracy?' and Gabrielle Brady’s 'Island of the Hungry Ghosts'
Essays
Lorene Scafaria’s 'Hustlers' and the Anatomy of the Scam
Reviews
A Magnificent Filial Debt: Love and Family in Lulu Wang’s 'The Farewell'
Festivals
Finding freedom in Sturla Pilskog and Sidse Torstholm Larsen’s 'Winter’s Yearning' —Open City Docs
Essays
The Making of a Millennial Woman
Festivals
Aude Léa Rapin’s 'Les héros ne meurent jamais' ('Heroes don’t die') takes on the ethics of the documentary film – Cannes
Festivals
Rebecca Zlotowski’s 'Une fille facile' ('An Easy Girl') takes on the cliché of the woman of leisure – Cannes
Festivals
Monia Chokri’s 'La femme de mon frère' ('A Brother’s Love') ventures beyond the hellscape of the self – Cannes
Reviews
De-fetishising the Commodity: Xiaolu Guo’s 'Five Men and a Caravaggio'
Reviews
On Necessary and Unnecessary Love in Karyn Kusama’s 'Destroyer'
Essays
Finding Your Rage: On Club des Femmes’ ‘Revolt, She Said’ Programme
Reviews
Super-ego, super-charged: Luca Guadagnino’s 'Suspiria'
Festivals
Bare life, corrupt elites and surviving in today’s America: On Steve McQueen’s 'Widows'
Reviews
On 'Crazy Rich Asians', crazy rich Asia, and capitalism in the time of postcolonial love
Reviews
Of Broken Bones and Ecstatic Dreams: On Chloé Zhao’s 'The Rider'
Reviews
In praise of teenage self-disgust: 'The Miseducation of Cameron Post'
Reviews
Suffering and the Limits of Criticism: Jenny Lu's 'The Receptionist'
Reviews
'Ocean’s 8', Anna Delvey, and our love for the woman who wants to own the world
Reviews
Men will never save you: On Coralie Fargeat’s 'Revenge'
Reviews
Lean on Pete, the anti-Odyssean epic
Reviews
The Provincialism of the White Hipster: On Wes Anderson’s 'Isle of Dogs'
Festivals
BERLINALE – The Debt of a Mother’s Love: On Yang Mingming's 'Girls Always Happy'
Reviews
Of River Gods and Women: Guillermo Del Toro's 'The Shape of Water'
Reviews
On Andrey Zvyagintsev's 'Loveless' and the casual cruelty of modern love
Reviews
Beauty is truth: on Alain Gomis’s 'Félicité'
Reviews