Hannah Paveck

12 articles

A Different Kind of Duration: Lila Avilés’s 'The Chambermaid'
Reviews

A Different Kind of Duration: Lila Avilés’s 'The Chambermaid'
No other voice: Claire Denis’s 'High Life'
Essays

No other voice: Claire Denis’s 'High Life'
Wonder in Miniature: Shireen Seno’s 'Nervous Translation'
Reviews

Wonder in Miniature: Shireen Seno’s 'Nervous Translation'
Wandering across Frames: Moyra Davey and the Feminist Essay Film
Essays

Wandering across Frames: Moyra Davey and the Feminist Essay Film
On Valeska Grisebach's 'Western' and its borderlessness
Reviews

On Valeska Grisebach's 'Western' and its borderlessness
Speaking at Cross Purposes in Claire Denis’s 'Let the Sunshine In' (2017)
Reviews

Speaking at Cross Purposes in Claire Denis’s 'Let the Sunshine In' (2017)
Baroque Pleasures and Queer Transformations in Evangelia Kranioti’s 'Obscuro Barroco'
Festivals

Baroque Pleasures and Queer Transformations in Evangelia Kranioti’s 'Obscuro Barroco'
A Backwards Trajectory through Camille Henrot’s 'Days are Dogs'
Essays

A Backwards Trajectory through Camille Henrot’s 'Days are Dogs'
The Discomfort of Recognition: Andrea Luka Zimmerman’s 'Erase and Forget' (2017)
Reviews

The Discomfort of Recognition: Andrea Luka Zimmerman’s 'Erase and Forget' (2017)
Touch And Its Hesitations in Ildikó Enyedi’s 'On Body and Soul'
Reviews

Touch And Its Hesitations in Ildikó Enyedi’s 'On Body and Soul'
Choreographies of Relation: Female Subjectivity in 'A Woman, a Part' (2016)
Reviews

Choreographies of Relation: Female Subjectivity in 'A Woman, a Part' (2016)
The Face and the Sea: Temporalities of Resistance | Coding and Representation Conference
News

The Face and the Sea: Temporalities of Resistance | Coding and Representation Conference